The last jedi review: the new movie is among star wars' best

Alissa Wilkinson covers film và culture for Alissa is a member of the thành phố new york Film Critics Circle & the National Society of Film Critics.
When it was released in 1977, the first Star Wars movie only bore the title Star Wars. Later, the subtitle A New Hope was added — và with it, a subtle intimation of what this series is all about. The Star Wars saga explores lots of ideas, but one it keeps cycling back lớn is the idea of hope. Where does it come from? Why? và when it looks like the last glimmer of hope has been extinguished, is there any reason lớn go on?

For decades, each Star Wars installment has explored those ideas, moving from hope to despair và back again as a fundamentally moral political battle wages between a dark side bent on its own immense power & a scrappy bunch of rebels who dare lớn think everyone matters. & now, 40 years after it all started, the eighth installment in the Star Wars series, The Last Jedi, retreads that basic cài đặt with a mastery that isn’t just reminiscent of the series’ best entries, but takes its place alongside them.

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The Last Jedi moves The Force Awakens’ characters forward

I don’t want khổng lồ spoil the movie for you. You don’t want that either.

So let me just say...

(Seriously, if you don’t want any spoilers at ALL, not even basic place-setting stuff, then just take my word for it & go see the movie.)

...that The Last Jedi picks up more or less exactly where The Force Awakens left off, with the evil First Order ready khổng lồ strike back against Resistance forces in retaliation for destroying their superweapon, the Starkiller Base. The rebel army is still led by General Leia Organa (the late Carrie Fisher, in her final Star Wars appearance). Hotshot Resistance pilot Poe Dameron (Oscar Isaac) — with his droid pal BB-8 — is out in front in the counterattack, going briefly rogue lớn accomplish his mission, while Finn (John Boyega) is healing from the wounds inflicted on him by Darth Vader heir-apparent Kylo Ren (Adam Driver, who continues khổng lồ knock it out of the park).

Adam Driver in Star Wars: The Last Jedi. Lucasfilm Meanwhile, on the faraway planet Ahch-To, Rey (Daisy Ridley) — who now knows she can harness the Force herself — has just encountered Luke Skywalker (Mark Hamill) và handed him his lightsaber.

The Last Jedi follows the resistance fighters as they struggle to lớn survive through an increasingly painful series of blows, exacerbated by the First Order’s newfound ability lớn track their forces through hyperspace jumps. This realization sends Finn và ship’s engineer Rose (a fantastic Kelly Marie Tran) khổng lồ a new planet where they search for someone who can help them. Meanwhile, though Rey & Kylo Ren are far away from one another, they seem to lớn be experiencing a psychic connection that suggests the answers khổng lồ some of their questions about themselves và each other may lie in surprising places.

The Last Jedi doesn’t just feel lượt thích a Star Wars movie — it feels like a movie

The strength of 2015’s The Force Awakens came from its careful retreading of ground that was already broken by earlier Star Wars films, in ways that pleased fans who were terrified this new trilogy would repeat the mistakes of George Lucas’s “prequel” trilogy. The Force Awakens calmed fears, reminded viewers why the series worked in the first place, & introduced a more diverse set of characters that made the whole Star Wars thing feel fresh & fun again.

And yet, if The Force Awakens was a great variation on a theme, then The Last Jedi is another movement altogether in the symphony. There are images in this movie that provoke awe và delight, & creatures that feel lifted out of half-remembered childhood dreams. & though it briefly appears to thất bại steam in the middle, that’s short-lived, with a third act harboring sequences that feel like a maestro conducting a concerto the size of the cosmos.

John Boyega in Star Wars: The Last Jedi. Lucasfilm There is catharsis aplenty, something the Star Wars movies are designed for, encouraging us to lớn cheer when our favorite characters show up on screen and letting us thrill khổng lồ the chases & the romance and the vistas và the explosions and the lightsaber battles. (This installment has one of the most purely perfect lightsaber battles the series has yielded thus far.) But as written and directed by Rian Johnson, The Last Jedi doesn’t just feel lượt thích a well-executed Star Wars movie — it feels like a well-executed movie, period, one that keeps its eye on the relationships between characters, và how they communicate with one another, in addition to lớn the bigger picture.

Some of this has to vày with the fact that The Force Awakens did the heavy lifting by introducing (or in some cases reintroducing) these characters to lớn us, so Johnson doesn’t have lớn start from scratch. But one of Johnson’s strengths as a writer & director has always been injecting humanity và intelligence into characters who live inside familiar genres; they’re definitely characters, but they’re people, too. He knows how to lớn make us feel for them.

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Kelly Marie Tran & John Boyega in Star Wars: The Last Jedi. Lucasfilm That means that a character like the loser General Hux (Domhnall Gleeson as a marvelous sad sap), locked in his eternal battle with Kylo Ren for dominance and the attention of Supreme Commander Snoke (Andy Serkis), is the butt of many jokes, but he also has a glimmer of the unwanted pet dog about him that lends a little pathos lớn our scorn.

It means we get a character like Rose, who trips believably over herself when she first meets Resistance hero Finn, but quickly shows she’s brilliant, và has a strong & courageous side too. It means Luke becomes more than a reclusive hero-in-waiting, coming khổng lồ recognize the battle that’s been raging inside of him và how it colors the way he interacts with the world, và with Rey.

Thanks to Johnson’s impish sense of humor, the film is littered with jokes — some of the best obviously nod lớn various tín đồ theories that have sprung up in The Force Awaken’s wake — as well as allusions to lớn other films and a truly wonderful menagerie of fauna ranging far beyond the already-beloved puffin-like porgs, all of which brings warmth & humor khổng lồ a story that is, at its core, very serious.

But the best details are in the strong bonds that develop between characters, & the way those bonds show who each individual really is. When one character says that the only way to lớn live miễn phí is khổng lồ not join, it’s the film’s encapsulation of what constitutes a bad guy: Star Wars films are testaments khổng lồ the idea that nobody, not even a Jedi Master, can go it alone without getting destroyed.

The Last Jedi is a ray of hope and an examination of power

The Last Jedi is also a deeply political film, though not in the sense that it’s “the film we need right now,” designed to speak lớn our “current moment” — in a saga as mythic và timeless as Star Wars, that would be a serious mischaracterization. But Star Wars is fundamentally cyclical, a story of generations & history, & the ways that wars can be won in one generation and lost in the next if memory of the past isn’t preserved. That’s the story in the films, but it’s also the story of the films, with people who grew up watching Star Wars movies now bringing their children to new Star Wars movies. Và it’s no spoiler to lớn say that the generational nature of its tale is something The Last Jedi alludes khổng lồ explicitly several times.

Since the movies are part of our world as much as their own, it’s only natural they’d speak lớn the big, important ideas that animate political questions of every age. One of the biggest of those is whether power nguồn is ultimately a corrupting force, or if it can be wielded for good, & by whom.

Domnhall Gleeson in Star Wars: The Last Jedi. Lucasfilm In the Star Wars universe, power (often embodied in an ability to lớn control the Force) is indeed a potent corruptor, one that’s hard to lớn walk away from once you’ve gotten a taste. This is what lies behind the stories of the villainous Sith order, but it’s a tension that the heroic Jedi face, too.

In The Last Jedi, the factors determining how power will be wielded & yielded are an awareness of history & — most importantly — a connection to lớn that history through the people around you. It would spoil the story lớn say much more, but in several key scenes, characters face a choice between following the right path & disconnecting from their pasts và from others. The choice is clear, và the images near the film’s over underline it in moving fashion.

That’s nothing new for Star Wars, which has always been a space opera about a family. But this particular iteration drives trang chủ that point in a manner that feels, on the tail kết thúc of a wearying year, lượt thích a deep point of relief, & even joy. Watching lengthy sequences involving heroic, complex characters played by black và Asian và Latinx characters, we can see a future worth living in. Being told that one character was “more interested in protecting the light than she was in seeming like a hero” is a reminder about wielding nguồn well that feels deeply truthful & necessary today.

Daisy Ridley in Star Wars: The Last Jedi. Lucasfilm I didn’t grow up with Star Wars, or much pop culture at all. I only saw the films as an adult, và while I’ve always liked them, I never connected to them the way so many people have; whatever it was they were trying to give me never really found its place in my heart. I went lớn The Last Jedi with high expectations because of the talent behind it, but I was prepared lớn just have a good time. Và I walked out feeling many emotions, but especially something like hope, that elusive thing with feathers (though hope, to be clear, is not a porg).

I felt expectant, and I believed not just that what the movie was saying was true — that even a small band of people with purpose, conviction, & a good, true story to tell can carry on in the face of evil — but that there’s a special power khổng lồ saying it in a movie.

Star Wars has been with us for four decades now, telling that same essential story in a format that’s overwhelming and engulfing. With wit, skill, and love, The Last Jedi takes up the torch & carries it for a new generation.